Posterized is a column where we (me) make snap judgements about upcoming releases using their movie posters as a guide. Enjoy.
[gulps whiskey, stares meanly out into the middle distance, chokes back a sob]
I don’t want what I’m about to say to be true. Please… believe me… I want to be wrong. So very, very wrong. I want, a year from now, one of you internet rapscallions to hold this post under my nose and burst my eardrums, shouting, “Smell your failure, bloggerman! SMELL IT.”
But… I have to say it… I have to make this prediction because I believe it to be true. I believe… god help my wretched soul… that Intersteller is going to be Christopher Nolan’s first creative and financial fiasco. Now… okay… calm down, everybody… just let me… hey, there’s no need to throw beer bottles… GODDAMNIT, LET ME SPEAK. I can see that several of you are wrapping lengths of chain around your fists, and that a few others are hammering thick nails through Louisville Sluggers… please, before you beat me into something resembling a dropped pizza… hear me out. Christopher Nolan has had one of the hottest streaks in cinematic history; he literally, to date, has not made a bad movie. Some of you might point to his 2002 film Insomnia, shruggingly, saying, “That one wasn’t so hot.” NO. WRONG. Watch it AGAIN. Insomnia is an underrated little thriller that makes Alaska seem like a frozen hellscape. Granted, the real estate show Buying Alaska does that much more efficiently, and sans a budget-busting Al Pacino, but still (people get so excited when there’s a toilet IN THE HOUSE; it’s super sad).
ANYWAY, Nolan has produced nothing but quality. He’s due for a lead balloon, and, from what I’ve gathered, Intersteller might be it. Details on the plot and whatnot are fuzzy, but it appears that what we have here is a three hour movie about space agriculture. That does not sound promising. What that sounds like, to me, is a simple idea that a committed auteur will follow all the way up his or her own butthole, slapping on layers and layers of astounding visuals until everything looks like a video game and we’re all bored out of our goddamned minds. Does anyone remember Darren Aronofsky’s The Fountain? It was a movie about the Fountain of Youth that doubled as an excellent example of why it’s sometimes not always the best call for a director to have complete creative control. There was so much going on in The Fountain… so many IDEAS… that it came out as a shambling, incomprehensible mess. Intersteller feels like Christopher Nolan’s own personal The Fountain. “Yes, we’re starting with an idea about agriculture in space, but we’re also going to be exploring the human spirit, and what it means to be a hero, and also what it means to be a father, and also how we define what is noble, and also mlmop mphhpll mplsblbhm [his words are muffled because he has breached the anus].”
Again… for the record… I DO NOT WANT TO BE RIGHT ABOUT THIS. I just feel like all signs are pointing to Intersteller being completely insufferable. I hate that I feel this way, but nobody ever said writing about movies on a website was going to be easy. Sometimes you have to make the tough calls. Keep this one on your FlopWatch radar until further notice.
Hey! It’s freaking Haley Joel Osment! Man… and I say this totally without irony or snark or malicious internet bile… it’s good to see that little fucker back on the big screen. Did he do some jail time for, like, drunk driving or something? I think that’s right. I don’t feel like looking it up, mainly because Googling, “Haley Joel Osment arrested” just seems like such a bummer and I don’t need that in my browser history. Besides, we’re celebrating here! That kid from the ghost movie is doing some stuff again. Less adorably so than from back in the day… he’s like a person now, and that person seems to have swelled up a bit… but it’s all good.
Whatever this movie is that he’s in looks kind of like garbage, but, you know… at least he’s working. Remember when he was nominated for an OSCAR? The early 2000’s were a crazy time.
You know, just Dracula, pooping some bats. Or he’s made ENTIRELY of bats now? I feel like this movie is going to be playing fast and loose with the Dracula mythology. Kind of like how, as the Superman movies kept churning out, they started giving Superman powers in service of the plot instead of staying within the established cannon. Can Superman turn his “S” logo into a big plastic tarp and use it to subdue bad guys? Sure, why not? Pass the cocaine. THAT AMOUNT OF COCAINE IS TOO SMALL FOR THE CREATORS OF THE SUPERMAN FILM FRANCHISE.
Here is a list of the powers that I imagine Dracula has been granted by the creators of Dracula Untold:
-Dracula can poop bat swarms (jeez, poster… Spoiler Alert!!!)
-Dracula can fly, which IS cannon, but this time around he does it with the sleek, stylish Drac-Jet 3000, which is heavily emblazoned with the Red Bull logo
-Nothing says a modern Dracula like laser-beam eyes!
-He knows all sorts of like Kung Fu and Krav Maga shit, and also he can run up trees like in Crouching Tiger, Hidden Dragon.
-Dracula can turn wooden stakes into TALKING wooden stakes that are sassy, as we need something off of which to base a line of toys. Christmas is coming!
-Breathes fire, stomps buildings flat, is Godzilla.
-He can make quarters disappear, then reappear behind the female lead’s ear.
-Dracula can turn the “D” logo on his chest into a big plastic tarp that he can use to subdue bad guys.
-He can do the “Batdance.”